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Being Seen Without Being Seen

We all play roles. The clothes we wear, the language we use, our facial expressions, body language, and the images we share on social media are all fragments of a carefully constructed identity. According to Carl Jung, these social roles form the persona, the social mask we wear to adapt to societal expectations. But this mask is not always a tool for hiding. Sometimes, it is a means of existence.

Why, then, do we wear these masks? What are they protecting us from? Why do many artists choose to hide themselves, some even adopting anonymity as a way of life?

To view the mask solely as a defense mechanism is to overlook its layered nature. It can also be a channel for self-expression, even a path toward existence. What truly matters is whether we can recognize when to wear the mask and when to remove it, and whether we can do so while maintaining a connection to our inner selves.

The Persona: A Tool of Adaptation or a Threat to Authenticity?

In psychology, the mask is not merely an object that conceals the face. It is a behavioral armor, a social identity we develop in response to our environment. Jung’s concept of the persona refers to this adaptation designed to gain acceptance. Derived from the Latin word for a theatrical mask, the persona can, over time, begin to obscure the authentic self. The disciplined employee at work, the cheerful friend in social settings, the emotionally distant yet caring family member — these are all masks. However, this risk diminishes when we become aware of the mask and can take it off when needed.

The Psychology Behind the Mask

Masks serve more than just social harmony. They also function as psychological defense mechanisms. We wear them to suppress our true emotions, to protect our vulnerabilities, or to foster a sense of belonging. Often, this is an unconscious strategy for coping.

Yet when worn too long, the mask creates tension between the self and the social identity. A person may begin to feel inauthentic, as though living someone else’s life. Psychoanalytic theories interpret this as an unconscious inner conflict. Over time, this conflict may lead to identity confusion, inner alienation, and a sense of existential emptiness — key markers of psychological identity issues.

Art as a Language Beyond the Mask

At that point, the individual may turn inward or search for a new form of expression. This is where art comes into play. When words fall short, art gives voice to repressed realities. In a world where masks are often necessary, art transforms the mask into a tool of both protection and revelation. It allows us to explore different identities and discover our own voice behind unfamiliar faces.

The nature of the mask in art and self-expression is not only a personal language but also a form of social resistance. Especially when freedom of expression is restricted, art turns to indirect forms of storytelling to protect both the message and the artist.

Here, the mask is not a barrier but a medium of expression. For the artist, it is not used to hide but to deepen meaning. At times, speaking through a mask is a braver act than remaining silent without one.

Banksy and the Anti-Persona

One of the most compelling examples of this is Banksy. A mysterious figure in the world of contemporary art, Banksy never reveals his identity, avoids public events, and keeps away from cameras. But this invisibility does not hide his art. On the contrary, it makes it even more visible. His face is unseen, but his message is clear.

From a psychological perspective, this anonymity represents a powerful persona strategy. Most personas are designed to gain visibility. Banksy inverts this by constructing an identity around invisibility, creating what could be called an anti-persona.

He has become more than an artist. He is now an idea, a method of expression. The children holding balloons, the doves carrying weapons, the figures confronting authority in his works are not only social critiques but reflections of the inner world. They are echoes of the voices we suppress behind the masks we wear daily. They represent muted emotions, neglected rights, and faded senses of self — all facets of the persona in modern society.

Symbols, Silence, and Truth

Banksy’s art uses the mask both literally and symbolically. While the artist remains hidden, his characters use masks to reveal truths. This dual structure shows how art functions as a form of psychological therapy. Sometimes, when we cannot express ourselves directly, we speak most clearly through symbols. In those moments, art hands us the mask and says: speak, without fear.

The mask can be our strongest shield or our most fragile state. What matters is where we place it in our lives. Are we hiding behind it, or using it to express who we truly are?

Art gives us the courage to face these questions. Through a single line, a piece of graffiti, or even silence, it can become one of the most honest ways to share our inner truth with the world.

The Final Curtain: Choosing Awareness

Ultimately, it is not simply about putting on or removing the mask. It is about recognizing the difference between the mask and the self. When the mask sticks too closely, it becomes difficult to tell what belongs to us and what comes from the outside world. The true power lies in making this distinction.

At this point, we must ask ourselves:
Is it truly me who speaks, or is it just my mask?

Whatever the answer, the most important thing is to become aware of this relationship. The mask must remain something we can take off when necessary, something that protects rather than conceals.

And perhaps most importantly, when we take off the mask, we must not lose ourselves. We must not silence the voice within.
So the curtain falls.
You may take off your mask now.

References

Jung, C. G. (1953). Two Essays on Analytical Psychology
Jung, C. G. (1964). Man and His Symbols
Andipa Gallery. Why is Banksy Anonymous?

Elif TEZER
Elif TEZER
Following my graduation from Saint Michel French High School, I pursued my academic objectives by completing a degree in Psychology at the University of Strasbourg in France. Throughout my undergraduate studies, I actively engaged in various internships, which enabled me to bridge theoretical knowledge with practical experience. At the Clinical Neuropsychology Laboratory of the Faculty of Medicine at Istanbul University (Çapa), I conducted observational work on a range of neurological conditions, including Parkinson’s disease, Alzheimer’s disease, epilepsy, and aphasia. Additionally, I undertook a long-term internship at the EHPAD Danube nursing home in Strasbourg, where I acquired valuable insights into working with elderly populations, particularly those affected by cognitive decline. Motivated by a strong sense of social responsibility, I volunteered with the Educational Volunteers Foundation of Turkey (TEGV), facilitating life skills development programs for children aged 6 to 12. During my academic training, I further deepened my expertise by enrolling in elective courses focused on Cognitive Behavioral Therapy, which strengthened both my theoretical foundation and applied competencies in this area. In parallel with my academic interests, I have developed a profound appreciation for the role of creativity in psychological well-being, with a specific interest in art therapy. I believe in the therapeutic potential of artistic expression and continue to explore its impact on emotional healing and mental health. The multidisciplinary nature of psychology allows me to explore and write from a range of intersecting perspectives. I hope you find as much meaning in reading my work as I do in writing it.

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